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Alain Séchas opens this season with a retrospective exhibition that, alongside a few new creations, looks back on the artist’s protean range of work.
Through embroidery, tapestry, and lace, activist artist Juliette Vanwaterloo addresses feminist, ecological, and decolonial issues.
For her first solo exhibition in Belgium, Candice Breitz examines the excesses of mass culture and the methods used to capture our attention.
The activist and artistic collective Democracia (ES) returns to the BPS22 with a series of works addressing authoritarianism and the rebellion of nature.
In this solo exhibition, Hervé Charles demonstrates his keen observation of the state of the Earth, drawing from his earliest works to his latest photographs.
After a brief excursion abroad, the exhibition cycle dedicated to Mail Art stops on the Dutch-speaking Belgian artist, Jef Lambrecht.
Claude Lorent is exhibiting the artist Éric Fourez for a Carte blanche at BPS22: a retrospective of paintings spanning more than 50 years.
Alain Bornain (Genappe, 1965) occupies the Dupont room with this monographic exhibition and traces the past 25 years of his artistic journey.
The work of Banks Violette (Ithaca, 1973) is inspired by the darker side of American society and the heavy metal subculture.