Marthe Wéry

This is the case of the open series Calais, begun in 1995 and prematurely ended at the death of the artist, made of a vast instal­la­tion of MDF panels, covered with a sky blue, ranging from a dark blue grey to a very refreshing blue-white, which can be recon­fig­ured according to the space of exposure. The ensemble is what we call today a ​‘variable media’, that is to say a sort of plastic score (in the musical sense of the term) that must be rein­ter­pret­ed at each pre­sen­ta­tion. Like any musical inter­pre­ta­tion, pre­sen­ta­tion is the subject of a distinct appre­ci­a­tion of the work.