Michel François

Sans titre is taken from a series of four photographs, evoking, through subjects as diverse as the hands of children playing the ​‘hot hand’, a hole in the sand, two elbows protruding from of a pierced sweater and a child’s skull, the central notions of sculpture, which are void and fullness, the texture of materials, heat and cold, and so on. Repo­si­tioned in this room, dedicated to solidarity, this children’s game becomes the metaphor of a social organ­i­sa­tion based on respon­si­bil­i­ty and sharing.